Piranesi's Imitation of the Classics

dc.contributor.author Nemiroff, James
dc.contributor.author Nemiroff, James
dc.contributor.department World Languages and Cultures
dc.date 2018-08-26T04:01:44.000
dc.date.accessioned 2020-06-30T05:46:49Z
dc.date.available 2020-06-30T05:46:49Z
dc.date.copyright Sun Jan 01 00:00:00 UTC 2017
dc.date.issued 2017-02-01
dc.description.abstract <p>SCHOLARS HAVE sometimes defined classicism as a debate between copying and representation. Speaking of the French artist Nicolas Poussin, art historian Richard T. Neer claimed: "Copying is the death of art, because a Copy is not really a picture in Poussin's understanding of the term: lacking idealization or elevation, it is just the replication of Nature."1 For Poussin, the "most deplorable" example of this kind of copying is printmaking, considered here as the unthinking production of the original. 2 Poussin contrasts this to painting, which he claims has a literary and intellectual quality.</p>
dc.description.comments <p>This book chapter is published as Nemiroff, J.M. Piranesi's Imitation of the Classics in Classicisms, edited by Larry F. Norman and Anne Leonard, 2017. Posted with permission.</p>
dc.format.mimetype application/pdf
dc.identifier archive/lib.dr.iastate.edu/language_pubs/163/
dc.identifier.articleid 1161
dc.identifier.contextkey 12661511
dc.identifier.s3bucket isulib-bepress-aws-west
dc.identifier.submissionpath language_pubs/163
dc.identifier.uri https://dr.lib.iastate.edu/handle/20.500.12876/52690
dc.language.iso en
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dc.subject.disciplines Ancient History, Greek and Roman through Late Antiquity
dc.subject.disciplines Classical Literature and Philology
dc.subject.disciplines Fine Arts
dc.subject.disciplines French and Francophone Literature
dc.title Piranesi's Imitation of the Classics
dc.type article
dc.type.genre book_chapter
dspace.entity.type Publication
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relation.isOrgUnitOfPublication 4e087c74-bc10-4dbe-8ba0-d49bd574c6cc
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