Housework and Dance as Counterpoints in French-Tunisian Filmmaker Raja Amari's Satin rouge Weber-Fève, Stacey Weber-Fève, Stacey
dc.contributor.department World Languages and Cultures 2018-10-10T20:10:16.000 2020-06-30T05:46:51Z 2020-06-30T05:46:51Z Fri Jan 01 00:00:00 UTC 2010 2010-01-01
dc.description.abstract <p>In the late 1950s and early 1960s, when an independent, postcolonial Tunisia emerged from under French colonial rule and began to engage in “modernized” nation-building practices, questions addressing the role of Tunisian women (and more importantly their image in this “new,” postcolonial and independent society) took precedence. Many political, artistic, and intellectual figures were concerned with how Tunisian women’s images were constructed in the public eye, in the arts, and in the media. These concerns led to a variety of reformist thoughts during this nationalist movement (and even still today), but all postulations appeared to coalesce in the perceived belief in the need to construct “modern” Tunisian women’s images into a single, unifying image of motherhood.</p>
dc.description.comments <p>This article is published as Weber-Feve, S.,Housework and Dance as Counterpoints in French-Tunisian Filmmaker Raja Amari’s “Satin rouge”’ in Quarterly Review of Film and Video (2010) 27.1, 1-13. Doi: <a href="" target="_blank">10.1080/10509200802165283</a>. Posted with permission.</p>
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dc.identifier.articleid 1166
dc.identifier.contextkey 12989756
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dc.identifier.submissionpath language_pubs/166
dc.language.iso en
dc.source.bitstream archive/|||Fri Jan 14 21:03:00 UTC 2022
dc.source.uri 10.1080/10509200802165283
dc.subject.disciplines African Languages and Societies
dc.subject.disciplines Film and Media Studies
dc.subject.disciplines French and Francophone Language and Literature
dc.subject.disciplines Women's Studies
dc.title Housework and Dance as Counterpoints in French-Tunisian Filmmaker Raja Amari's Satin rouge
dc.type article
dc.type.genre article
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