The Constellation of Social Ontology: Walter Benjamin, Eduard Fuchs, and the Body of History

dc.contributor.author Amidon, Kevin
dc.contributor.author Krier, Daniel
dc.contributor.author Krier, Daniel
dc.contributor.department World Languages and Cultures
dc.contributor.department Sociology
dc.date 2018-02-18T03:04:58.000
dc.date.accessioned 2020-06-30T05:46:27Z
dc.date.available 2020-06-30T05:46:27Z
dc.date.copyright Fri Jan 01 00:00:00 UTC 2016
dc.date.embargo 2019-11-25
dc.date.issued 2016-12-01
dc.description.abstract <p>“The Constellation of Social Ontology” says that Walter Benjamin, best known among scholars for his work on “The Work of Art in the Age of its Technological Reproducibility,” in which he argues that all visual art, including its modern emanations like film, has always been constituted through modes not just of production, but also of reproduction. Relatively unknown, however, is that these claims about art and reproduction took shape as part of a larger set of arguments about the nature of historical knowledge and the ways that knowledge emerges and derives from embodied, corporeal practices. Benjamin made these arguments in his essay on “Eduard Fuchs: Collector and Historian” (1937). This essay and its history further show that Benjamin’s thought belongs at the center of the Frankfurt School’s emergent Critical Theory in the mid-1930s, and reveals significant institutional and methodological links between Fuchs, Benjamin, and the major figures of the Frankfurt School like Max Horkheimer. More broadly, Benjamin’s work on Fuchs can be seen as a methodological attempt to demonstrate how critical methods that do justice to the material of history by attending successfully to the forgotten remnants of social, political, and economic life can create the possibility of concrete social ontology in the present.</p>
dc.description.comments <p>The Social Ontology of Capitalism Krier, Daniel and Worrell, Mark P. (eds.) (2016), Palgrave Macmillan US reproduced with permission of Palgrave Macmillan'. 'This extract is taken from the author's original manuscript and has not been edited. The definitive, published, version of record is available here: http://www.palgrave.com/br/book/9781349950614</p>
dc.format.mimetype application/pdf
dc.identifier archive/lib.dr.iastate.edu/language_pubs/114/
dc.identifier.articleid 1113
dc.identifier.contextkey 9497996
dc.identifier.s3bucket isulib-bepress-aws-west
dc.identifier.submissionpath language_pubs/114
dc.identifier.uri https://dr.lib.iastate.edu/handle/20.500.12876/52636
dc.language.iso en
dc.source.bitstream archive/lib.dr.iastate.edu/language_pubs/114/2016_Amidon_ConstellationSocial.pdf|||Fri Jan 14 18:49:19 UTC 2022
dc.source.uri 10.1057/978-1-137-59952-0_9
dc.subject.disciplines Models and Methods
dc.subject.disciplines Political History
dc.subject.disciplines Political Theory
dc.subject.keywords Marxism
dc.subject.keywords Ontology
dc.subject.keywords Critical theory
dc.subject.keywords Eduard Fuchs
dc.subject.keywords Frankfurt School
dc.title The Constellation of Social Ontology: Walter Benjamin, Eduard Fuchs, and the Body of History
dc.type article
dc.type.genre book_chapter
dspace.entity.type Publication
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relation.isOrgUnitOfPublication 84d83d09-42ff-424d-80f2-a35244368443
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