Redefining feminist rhetoric in stand-up comedy: Offering cultural critique through subversion and silence

dc.contributor.advisor Richard B. Crosby
dc.contributor.author Votruba, Arline
dc.contributor.department Department of English
dc.date 2018-08-11T12:49:00.000
dc.date.accessioned 2020-06-30T03:11:24Z
dc.date.available 2020-06-30T03:11:24Z
dc.date.copyright Tue May 01 00:00:00 UTC 2018
dc.date.embargo 2001-01-01
dc.date.issued 2018-01-01
dc.description.abstract <p>This thesis investigates the use of feminist humor paired with specific rhetorical strategies in Netflix Original comedy specials in order to identify how female comics are gaining success through their public social critique. Specifically, this thesis details the sparse history of women in stand-up comedy, debunking the claim that women are not funny and instead articulating the power structure at play, which has limited opportunities for women comics. This project asserts that Netflix is offering a significant number of women’s voices through the online streaming service, demonstrating a shift in popular culture with feminist implications. After detailing the historical context, an explanation of humor and feminism offers insights into how jokes are an interesting site for feminist investigation. A clear break down of joke structure and discussion of feminist thought links the concepts in order to set the stage for the later argument regarding feminist humor. Through linguistic analysis, a table of characteristics, definitions and examples has been developed to demonstrate how feminist humor is perceived in the context of this thesis. Following the introductory chapters, this thesis offers two conceptually-oriented analyses using close reading and visual analysis of jokes from stand-up comedy specials, which specifically use feminist humor.</p> <p>A detailed account of the rhetorical use of subversion is applied to feminist humor in order to identify how women comics are using humor to subvert the patriarchy. An explanation of the rhetorical use of silence shows how silence has shifted from a tool for oppressing minority groups to a tool used by the oppressed as a conscious activist tactic. Then a close reading of jokes demonstrates what the rhetorical use of silence is doing for feminist humor. In conclusion, this thesis demonstrates the recent shift in popular stand-up comedy, citing instances of how women are using subversion and silence as social justice rhetoric.</p>
dc.format.mimetype application/pdf
dc.identifier archive/lib.dr.iastate.edu/etd/16481/
dc.identifier.articleid 7488
dc.identifier.contextkey 12331576
dc.identifier.doi https://doi.org/10.31274/etd-180810-6111
dc.identifier.s3bucket isulib-bepress-aws-west
dc.identifier.submissionpath etd/16481
dc.identifier.uri https://dr.lib.iastate.edu/handle/20.500.12876/30664
dc.language.iso en
dc.source.bitstream archive/lib.dr.iastate.edu/etd/16481/Votruba_iastate_0097M_17323.pdf|||Fri Jan 14 21:00:56 UTC 2022
dc.subject.disciplines Rhetoric
dc.subject.keywords American history 0337
dc.subject.keywords American studies 0323
dc.subject.keywords Gender studies 0733
dc.subject.keywords Multimedia communications 0558
dc.subject.keywords Rhetoric 0681
dc.subject.keywords Women's studies 0453
dc.title Redefining feminist rhetoric in stand-up comedy: Offering cultural critique through subversion and silence
dc.type thesis en_US
dc.type.genre thesis en_US
dspace.entity.type Publication
relation.isOrgUnitOfPublication a7f2ac65-89b1-4c12-b0c2-b9bb01dd641b
thesis.degree.discipline Rhetoric, Composition, and Professional Communication
thesis.degree.level thesis
thesis.degree.name Master of Arts
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