From Chinese painting to wearable art: the development of wearable art design process model and evaluation methods for wearable art designers

dc.contributor.advisor Eulanda A. Sanders
dc.contributor.author Zhang, Ling
dc.contributor.department Department of Apparel, Events, and Hospitality Management
dc.date 2019-07-08T05:18:06.000
dc.date.accessioned 2020-06-30T03:02:15Z
dc.date.available 2020-06-30T03:02:15Z
dc.date.copyright Fri Jan 01 00:00:00 UTC 2016
dc.date.embargo 2001-01-01
dc.date.issued 2016-01-01
dc.description.abstract <p>Wearable art is “art composed of materials structured so they can be worn on the body and that exhibit visually exciting design elements and principles” (Bryant & Hoffman, 1994, P.86). It is a unique (Becker, 1987) and visible symbol that not only depicts the mood of a designer, but also communicates her/his belief, life style, culture, knowledge, and aesthetic tastes to the world. The goals of creating this wearable art collection were to: (a) incorporate traditional Chinese Xie Yi painting themes, ideals or motifs into modern fashion designs with the silhouettes of Western clothing through the use of a variety of handcraft techniques such as nuno felting, wet felting, hand beading, bead embroidery, tambour embroidery, and silk painting techniques, and (b) find the intermediary between Chinese painting and wearable art design and ideally bonding two artistic forms.</p> <p>In order to undertake the inspiration of Chinese painting, the researcher/designer tested 276 dyed and painted fabric samples to ascertain the feasibility of using Chinese ink as a natural colorant for submersion dyeing of 100% cotton and 100% silk fabrics, as well as a textile painting medium on silk organza and silk charmeuse. The results provided valuable information and confidence in the use of Chinese ink in the creation of the textile and wearable arts.</p> <p>After the three lines were created, a new design process model specific for wearable art design, was proposed at the onset of the project based on the researcher/designer’s planned design process. A refined model was created after the documentation of her entire process was completed.</p> <p>The final collection was also evaluated by collecting and analyzing quantitative and qualitative data from professional artists and designers. The results were used to help develop a framework for wearable art designers to evaluate the performance of their wearable art designs.</p>
dc.format.mimetype application/pdf
dc.identifier archive/lib.dr.iastate.edu/etd/15211/
dc.identifier.articleid 6218
dc.identifier.contextkey 8943333
dc.identifier.doi https://doi.org/10.31274/etd-180810-4811
dc.identifier.s3bucket isulib-bepress-aws-west
dc.identifier.submissionpath etd/15211
dc.identifier.uri https://dr.lib.iastate.edu/handle/20.500.12876/29394
dc.language.iso en
dc.source.bitstream archive/lib.dr.iastate.edu/etd/15211/Zhang_iastate_0097E_15603.pdf|||Fri Jan 14 20:37:54 UTC 2022
dc.subject.disciplines American Material Culture
dc.subject.disciplines Art and Design
dc.subject.disciplines Art and Materials Conservation
dc.subject.disciplines Fashion Design
dc.subject.keywords Apparel, Merchandising and Design
dc.subject.keywords Apparel design
dc.subject.keywords Chinese painting
dc.subject.keywords Design process model
dc.subject.keywords Documentary methods
dc.subject.keywords Evaluation methods
dc.subject.keywords Wearable art
dc.title From Chinese painting to wearable art: the development of wearable art design process model and evaluation methods for wearable art designers
dc.type dissertation
dc.type.genre dissertation
dspace.entity.type Publication
relation.isAuthorOfPublication 186f1c1e-9c38-42c1-8b77-7e77f0b60a16
relation.isOrgUnitOfPublication 5960a20b-38e3-465c-a204-b47fdce6f6f2
thesis.degree.discipline Apparel, Merchandising and Design
thesis.degree.level dissertation
thesis.degree.name Doctor of Philosophy
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