Swagger like us: Black millennials’ perceptions of 1990s urban brands

dc.contributor.advisor Eulanda A. Sanders
dc.contributor.advisor Kelly L. Reddy-Best
dc.contributor.author Johnson, Courtney
dc.contributor.department Department of Apparel, Events, and Hospitality Management
dc.date 2018-09-13T06:10:26.000
dc.date.accessioned 2020-06-30T03:12:14Z
dc.date.available 2020-06-30T03:12:14Z
dc.date.copyright Wed Aug 01 00:00:00 UTC 2018
dc.date.embargo 2001-01-01
dc.date.issued 2018-01-01
dc.description.abstract <p>Hip-hop is a significant cultural and artistic phenomenon that was created in the Black community and has since spread around the world (Aldridge & Stewart, 2005). Hip-hop culture has a unique and authentic clothing style, music style, and language (McLeod, 1999). The relationship between hip-hop culture, rap music, and fashion has global appeal (Power & Hauge, 2008). This research is centered around the evolution of this cultural fashion movement in Black history as it relates to Black millennials today and their experiences fashioning their bodies. There is not a significant amount of literature on urbanwear brands that came out of hip-hop culture or the owners of these fashion brands. The purpose of this study is to examine Black millennials attending Historically Black Colleges and Universities (HBCU) about their perceptions and knowledge of prominent, Black-owned, urban fashion brands that emerged in the late 1980s and throughout the 1990s during the hip-hop fashion revolution. Black millennials currently attending or who are alumni of HBCU’s were specifically chosen as the focus of this study because of the heightened immersion in Black culture that a HBCU environment provides. Throughout history, Black individuals have contributed significantly to American society, and hip-hop culture is one of those contributions as it was a major cultural revolution. While Black appearance and clothing has been under scrutiny in America since slavery, urbanwear fashion was a way for Black individuals to express themselves and represent their community. Ethnic dress, such as urban styles of dress, are clothing worn by individuals to express their belonging to a community with a common heritage (Kaiser, 2012; Eicher & Sumberg, 1995). The participants in this study explained their experiences with urban fashion brands, support of Black-owned brands, stereotypes associated with urban fashion, and how hip-hop and urbanwear still inspires their style today. The narratives and perceptions from Black individuals has changed over time and viewing urban fashion through the lens of various social science theories such as Critical Race Theory, Afrocentric theory, and symbolic interaction will further explain the relationship between Black millennials and 1990s urban fashion.</p>
dc.format.mimetype application/pdf
dc.identifier archive/lib.dr.iastate.edu/etd/16600/
dc.identifier.articleid 7607
dc.identifier.contextkey 12816507
dc.identifier.s3bucket isulib-bepress-aws-west
dc.identifier.submissionpath etd/16600
dc.identifier.uri https://dr.lib.iastate.edu/handle/20.500.12876/30783
dc.language.iso en
dc.source.bitstream archive/lib.dr.iastate.edu/etd/16600/Johnson_iastate_0097M_17494.pdf|||Fri Jan 14 21:03:04 UTC 2022
dc.subject.disciplines American Material Culture
dc.subject.disciplines Fashion Design
dc.subject.keywords 1990s
dc.subject.keywords Millennials
dc.subject.keywords Urban
dc.subject.keywords Urbanwear
dc.title Swagger like us: Black millennials’ perceptions of 1990s urban brands
dc.type thesis en_US
dc.type.genre thesis en_US
dspace.entity.type Publication
relation.isOrgUnitOfPublication 5960a20b-38e3-465c-a204-b47fdce6f6f2
thesis.degree.discipline Apparel, Merchandising, and Design
thesis.degree.level thesis
thesis.degree.name Master of Science
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