Traveling Michel Serres’ Passage du NordOuest: what happens, once the ice breaks? A reflection on architectural research conducted between the humanities and engineering

dc.contributor.author Passe, Ulrike
dc.contributor.author Passe, Ulrike
dc.contributor.department Architecture
dc.date 2018-12-14T00:52:44.000
dc.date.accessioned 2020-06-29T23:43:37Z
dc.date.available 2020-06-29T23:43:37Z
dc.date.copyright Sat Jan 01 00:00:00 UTC 2011
dc.date.embargo 2015-09-29
dc.date.issued 2011-01-01
dc.description.abstract <p>This paper investigates the complex design process for sustainable buildings mediating between spatial composition and architectural typology on one side and thermal, climatic conditions and energy use on the other hand. The theoretical base is <em>Hermès V Le Passage du Nord-Ouest</em>(Serres, 1980) by the French philosopher and mathematician Michel Serres (1930 -), where he is searching for a passageway from the exact sciences to the arts and humanities. While both are looking to explain the world with their own methods, they are turning their backs at each other. The shipping passage in the North of Canada connecting the Atlantic and the Pacific serves him as a metaphor for this complex thought space linking, connecting and dividing, these two explanations of the world. This text is dealing with the connection of places, which seemingly are separate: rigidness and phantasy, myths and exactness, quantitative and qualitative knowledge. Based on this understanding the paper analyses the design process between architecture and engineering as a passage passing four overarching theoretical frames crossing between geometry and perception, drawing and material, atmosphere and typology, technology and desire thus befriending quantitative and qualitative methods of design thinking. The research analyzes a built experiment, the Interlock House, which focused on the relationship of spatial composition and air flow as a means of energy transfer, the impact of passive and active environmental controls and systems on architectural design and improved building energy performance. The means to travel the passage: proportions, thermal detailing, natural ventilation strategies and daylighting are here identified as key moments for sustainable design. Design communication for sustainable buildings needs to convey information between multiple entities with opposing language systems and thus equals a map rather than a flow chart. A collaborative design methodology emerges from these passages when the ice breaks.</p>
dc.description.comments <p>This proceeding is from <em>Proceedings of the 2011 ARCC Spring Research Conference</em>, edited by Philip Plowright and Bryce Gamper (Southfield, MI: Lawrence Technological University, 2011). Posted with permission.</p>
dc.format.mimetype application/pdf
dc.identifier archive/lib.dr.iastate.edu/arch_conf/69/
dc.identifier.articleid 1068
dc.identifier.contextkey 7655439
dc.identifier.s3bucket isulib-bepress-aws-west
dc.identifier.submissionpath arch_conf/69
dc.identifier.uri https://dr.lib.iastate.edu/handle/20.500.12876/10267
dc.language.iso en
dc.source.bitstream archive/lib.dr.iastate.edu/arch_conf/69/2011_Passe_TravelingMichel.pdf|||Sat Jan 15 01:30:16 UTC 2022
dc.subject.disciplines Architecture
dc.subject.keywords Design communication
dc.subject.keywords Sustainable buildings
dc.subject.keywords Integrative design thinking
dc.subject.keywords Interdisciplinary collaboration
dc.subject.keywords Natural ventilation
dc.title Traveling Michel Serres’ Passage du NordOuest: what happens, once the ice breaks? A reflection on architectural research conducted between the humanities and engineering
dc.type article
dc.type.genre conference
dspace.entity.type Publication
relation.isAuthorOfPublication c4c3cacf-0938-419d-9659-49ede8934af8
relation.isOrgUnitOfPublication 178fd825-eef0-457f-b057-ef89eee76708
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