Perception is everything
dc.contributor.advisor | Brent Holland | |
dc.contributor.author | Shea, Daniel | |
dc.contributor.department | Art and Visual Culture | |
dc.date | 2019-03-26T18:20:11.000 | |
dc.date.accessioned | 2020-06-30T03:14:17Z | |
dc.date.available | 2020-06-30T03:14:17Z | |
dc.date.copyright | Sat Dec 01 00:00:00 UTC 2018 | |
dc.date.embargo | 2001-01-01 | |
dc.date.issued | 2018-01-01 | |
dc.description.abstract | <p>A good story has the ability to transport the reader/listener/viewer to another</p> <p>place. When done right, storytelling can be the greatest escape from the world. In this</p> <p>thesis, I detail my journey from listener, to lover, to learner and creator of stories.</p> <p>The primary story I follow is a piece I created entitled, Perception is Everything.</p> <p>Inspired by the William Blake quote, “If the doors of perception were cleansed every</p> <p>thing would appear to man as it is, Infinite. For man has closed himself up, till he sees all</p> <p>things thro’ narrow chinks of his cavern,” this story is the fantastical trip of a man named</p> <p>Gregory Jameson as he is jolted out of his mundane life and thrust into an unfamiliar</p> <p>version of the world. Here, Greg is forced to trust in a strange being only he seems able to</p> <p>see. This story embodies the fear and confusion inherent within every new endeavor in</p> <p>life.</p> <p>I also show the path I have followed to create the story and help myself learn to</p> <p>become a better storyteller. One tool I use to achieve a better mastery of storytelling is a</p> <p>system of analytic analysis. I adapted this system as a way to dissect both my work and</p> <p>other works I admire in order to see what makes these stories tick.</p> <p>The feeling of reading or creating a good story is one of my favorite feelings and</p> <p>one which was instilled in me from a young age. My desire is to pass along that joy and</p> <p>to inspire others to love and create good stories as well.</p> | |
dc.format.mimetype | application/pdf | |
dc.identifier | archive/lib.dr.iastate.edu/etd/16880/ | |
dc.identifier.articleid | 7887 | |
dc.identifier.contextkey | 14007517 | |
dc.identifier.s3bucket | isulib-bepress-aws-west | |
dc.identifier.submissionpath | etd/16880 | |
dc.identifier.uri | https://dr.lib.iastate.edu/handle/20.500.12876/31063 | |
dc.language.iso | en | |
dc.source.bitstream | archive/lib.dr.iastate.edu/etd/16880/Shea_iastate_0097M_17755.pdf|||Fri Jan 14 21:07:15 UTC 2022 | |
dc.subject.disciplines | Fine Arts | |
dc.subject.disciplines | History of Art, Architecture, and Archaeology | |
dc.subject.disciplines | Theory and Criticism | |
dc.subject.keywords | Art | |
dc.subject.keywords | Comics | |
dc.subject.keywords | McCloud | |
dc.subject.keywords | Panofsky | |
dc.subject.keywords | Perception | |
dc.subject.keywords | Story | |
dc.title | Perception is everything | |
dc.type | article | |
dc.type.genre | thesis | |
dspace.entity.type | Publication | |
relation.isOrgUnitOfPublication | aacdb4af-042b-43f1-b42c-df07ed8498df | |
thesis.degree.discipline | Integrated Visual Arts | |
thesis.degree.level | thesis | |
thesis.degree.name | Master of Fine Arts |
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