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dc.contributor.advisor | Stewart, Austin | |
dc.contributor.advisor | Eisman, April | |
dc.contributor.advisor | Squire, Mitchell | |
dc.contributor.advisor | Scheidt, Peter | |
dc.contributor.author | Arp, Jordan R | |
dc.contributor.department | Art and Visual Cultures | en_US |
dc.date.accessioned | 2025-06-30T19:05:18Z | |
dc.date.available | 2025-06-30T19:05:18Z | |
dc.date.issued | 2025-05 | |
dc.date.updated | 2025-06-30T19:05:19Z | |
dc.description.abstract | This collection of works by the artist explores the intersection of personal identity, societal critique, environmentalism, and femininity, using humor, nostalgia, and interactivity to engage viewers in meaningful conversations. The artist’s socially engaged practice focuses on fostering community dialogue through approachable, tactile, and often humorous art, breaking down barriers between the art world and the public. Through playful imagery and serious themes, the artist examines issues of identity, systemic decay, and environmental degradation, encouraging viewers to connect emotionally and intellectually. Key themes include the commodification of values, as seen in works like Neoliberty and Freedom, where American ideals are critiqued for their role in justifying exploitation and militarism. The artist’s critique extends to consumer culture in works like Tomorrowland and New Frontier, imagining a dystopian future where humans are estranged from nature due to environmental destruction. These imaginative pieces juxtapose escapism with frustration, highlighting humanity’s disconnection from the natural world. Simultaneously, the artist delves into personal experiences, particularly surrounding femininity, objectification, and emotional vulnerability. Butterfly Scream and Perceive reimagine traditional symbols of beauty, like butterflies and flowers, challenging superficial judgments by emphasizing the intelligence and soul behind them. In Heart of Gold and You Look Prettier When You Smile, the artist critiques patriarchal standards, reflecting on how women are punished, objectified, and silenced. Emotional expression is further explored in Cry Your Eyes Out and Cry My Eyes Out, where continuous tears symbolize the overwhelming nature of feelings, offering a shared space for viewers to reflect on the universality of emotional experiences. Similarly, Waves Waving uses water as a metaphor for communication and the struggles of navigating societal pressures, with empathy and authenticity serving as lifelines in a world that can feel isolating. Throughout this body of work, the artist weaves together personal struggles, societal expectations, and global issues, creating a multifaceted narrative that challenges viewers to reflect on their roles in shaping societal values. By balancing heavy themes with humor and accessibility, the artist invites vulnerability, curiosity, and dialogue, ultimately questioning how we navigate a world often characterized by disillusionment and disconnection. | |
dc.format.mimetype | ||
dc.identifier.orcid | 0009-0007-3122-7258 | |
dc.identifier.uri | https://dr.lib.iastate.edu/handle/20.500.12876/azJ40pqv | |
dc.language.iso | en | |
dc.language.rfc3066 | en | |
dc.subject.disciplines | Art criticism | en_US |
dc.title | Tinder | |
dc.type | article | en_US |
dc.type.genre | thesis | en_US |
dspace.entity.type | Publication | |
thesis.degree.discipline | Art criticism | en_US |
thesis.degree.grantor | Iowa State University | en_US |
thesis.degree.level | thesis | $ |
thesis.degree.name | Master of Fine Arts | en_US |
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