Chaucer and Malory’s treatment of outlawry

dc.contributor.advisor Susan Yager
dc.contributor.author Gonzalez, Carolyn
dc.contributor.department English
dc.date 2019-08-21T10:40:33.000
dc.date.accessioned 2020-06-30T03:15:17Z
dc.date.available 2020-06-30T03:15:17Z
dc.date.copyright Wed May 01 00:00:00 UTC 2019
dc.date.embargo 2001-01-01
dc.date.issued 2019-01-01
dc.description.abstract <p>The medieval outlaw appears in historical, religious, and legal texts of late Medieval England and is imagined in fiction as well, specifically in the romance narratives of Geoffrey Chaucer and Thomas Malory. Outlawry was a legal state that could be imposed. Both Chaucer and Malory, especially the latter, found themselves outside the law at different points of their lives, an item to consider when examining the authors’ representation of knights acting outside the chivalric code. Both authors populate their romances with outlawry, illustrating the ethical, legal, and social assumptions of their own times. In Chaucer and Malory, knights can sometimes be outlaws, and when they are, they are often portrayed as running amok or going mad, leading them to a quest or to an act that must be completed before they can be reintroduced into society. Early critics Maurice Keen and Eric Hobsbawm narrowly defined what they saw as outlawry in medieval literature, but the more recent work of Timothy S. Jones renews the possibility of better examining outlawry’s intersection with medieval romance.</p> <p>Outlawry has traditionally been associated with the narratives of Robin Hood, who is traditionally depicted as an outlaw wearing green who robbed the rich and gave to the poor. Yet broadening the definitions of what constitutes an outlaw narrative can lead to fresh readings of Chaucer’s and Malory’s work. To be outlawed, in medieval fiction, carries with it an additional displacement of a character’s human connection to others. In this project, I examine fictional knights tarrying in outlawed space while grounding my argument in historical narratives. In doing so, I illuminate how outlawry intersects with medieval romance, unveiling chivalry’s ideological blemishes.</p>
dc.format.mimetype application/pdf
dc.identifier archive/lib.dr.iastate.edu/etd/17018/
dc.identifier.articleid 8025
dc.identifier.contextkey 14820977
dc.identifier.s3bucket isulib-bepress-aws-west
dc.identifier.submissionpath etd/17018
dc.identifier.uri https://dr.lib.iastate.edu/handle/20.500.12876/31201
dc.language.iso en
dc.source.bitstream archive/lib.dr.iastate.edu/etd/17018/Gonzalez_iastate_0097M_17930.pdf|||Fri Jan 14 21:13:57 UTC 2022
dc.subject.disciplines English Language and Literature
dc.subject.disciplines Medieval Studies
dc.subject.keywords Chaucer
dc.subject.keywords Knight's tale
dc.subject.keywords Lancelot
dc.subject.keywords Malory
dc.subject.keywords Medieval romance
dc.subject.keywords Outlawry
dc.title Chaucer and Malory’s treatment of outlawry
dc.type article
dc.type.genre thesis
dspace.entity.type Publication
relation.isOrgUnitOfPublication a7f2ac65-89b1-4c12-b0c2-b9bb01dd641b
thesis.degree.discipline English
thesis.degree.level thesis
thesis.degree.name Master of Arts
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