Surveying the development of the Southern Gothic landscape, Sivils locates its origins in seventeenth-century captivity narratives by figures such as Garcilaso de la Vega and Captain John Smith. He then traces the cultural evolution of the Southern Gothic landscape through a selection of texts by Henry Clay Lewis, Charles Chesnutt, William Faulkner, Flannery O’Connor and others. Referencing critics such as María del Pilar Blanco and Yi-Fu Tuan—and placing emphasis upon the portrayal of the swamp as related to issues of racial oppression—Sivils ultimately argues that these landscapes function as much more than just passive settings. They are, rather, dynamic sites of haunting that reflect, and at times participate in, the South’s legacy of human and environmental abuse.