Making Marfa: Technical Encumbrances and Creative Resistance in Donald Judd’s Ten(?) Concrete Buildings
Date
2009-10-01
Authors
Major Professor
Advisor
Committee Member
Journal Title
Journal ISSN
Volume Title
Publisher
Research Projects
Journal Issue
Series
Department
Abstract
On an elevated plinth of west Texas prairie grass land, in a visually isolated corner of the Chinati Foundation grounds, sit two unfinished examples of Donald Judd’s final experiment in uniting art, architecture and nature. These imaginative and enigmatic concrete building shells have the same spare material expression, rigid proportioning system and the unnerving structural thinness that one would expect from Judd’s three-dimensional work. These buildings are part of a larger geometrically ordered complex of ten buildings designed specifically to house twelve works of art, unsurprisingly, also created by Donald Judd.
Comments
Description
Keywords
Citation
DOI
Source
Copyright
Thu Jan 01 00:00:00 UTC 2009