Memory Marks

dc.contributor.author Monfort-Nelson, Erin
dc.date 2018-10-19T02:44:51.000
dc.date.accessioned 2020-06-30T05:28:29Z
dc.date.available 2020-06-30T05:28:29Z
dc.date.issued 2013-02-05
dc.description.abstract <p>The intent of the textile hanging, Memory Marks, was to reveal a theme of “cultural transition and loss” through the use of textile surface design. The societal mood of WWII Japan was conveyed through simplicity of color, form, and mark making; rather than more explicit graphic elements often relied upon in surface design.</p>
dc.identifier archive/lib.dr.iastate.edu/itaa_proceedings/2013/design/36/
dc.identifier.articleid 2514
dc.identifier.contextkey 11922559
dc.identifier.s3bucket isulib-bepress-aws-west
dc.identifier.submissionpath itaa_proceedings/2013/design/36
dc.identifier.uri https://dr.lib.iastate.edu/handle/20.500.12876/50081
dc.relation.ispartofseries International Textile and Apparel Association (ITAA) Annual Conference Proceedings
dc.source.bitstream archive/lib.dr.iastate.edu/itaa_proceedings/2013/design/36/2013_ITAA_FA_036.pdf|||Fri Jan 14 23:47:01 UTC 2022
dc.subject.disciplines Fiber, Textile, and Weaving Arts
dc.subject.keywords Textile Design
dc.subject.keywords Natural Dye
dc.subject.keywords Shibori
dc.title Memory Marks
dc.type event
dc.type.genre event
dspace.entity.type Publication
relation.isSeriesOfPublication 5d0f3f8c-2190-47b2-bb58-b59e2d1740d5
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